This is only going to be a couple db at most, just to round out the overall tone. Let’s get this out of the way: It’s pronounced “dive.” Not to be confused with the Belgian industrial band which caused them to change their name, DIIV was formed in 2011 as the solo project of lead singer and guitarist Zachary Cole Smith. We have a more natural and pleasing sound as a result. Remember what we learned in our last article: context is key! We want depth and width! In context these are going to sound much brighter and defined when each instrument has it’s own place in the frequency spectrum. Far less harsh sounding, while still maintaining definition, articulation, aggression, and bite. High end resonances tend to occur between 2kHz and 8kHz. We train them to hear all kinds of things as musicians, and they get better and better the more we train them. Reviews of Oshin by DIIV, Debut album of guitar-driven dream pop and shoegaze from the Brooklyn quartet led by Beach Fossils' touring guitarist Zachary Cole Smith. Take a listen for yourself: The tricky part about the low end is that these frequencies can hide from our ears… until the chugs start happening. Let’s do a comparison of that: Hear how that just opens up the tone? Let’s listen to all our hard work with a before and after, both with the guitars isolated and in the context of the mix: EQing distorted guitars is never an easy task, but by taking these few simple steps and applying it to your own mixes, you’ve got a fantastic strategy to nailing that perfectly polished, professional album tone. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. The guitar are punchier, clearer, more controlled, and really well balanced. Let’s listen to all our hard work with a before and after, both with the guitars isolated and in the context of the mix: Then, raise the volume back up. How are we supposed to find just a few bad frequencies in that mess?! Then I'd think about mix/blend knobs on the pedals. The final cherry on top is done with a EQ type called “filters.” Filters progressively roll off all frequencies above or below a certain point. Easy… By knowing what to listen for, and how to fix it. What’s The Point? These resonances are usually very narrow areas of the frequency spectrum that like to stick out above the rest, and can reduce clarity and depth in your signal. Don’t forget! That’s all the resonances we need to clean up for this one! This helps you gain perspective on the entire signal, rather than focusing on that one specific 2.3db cut at 1.3kHz that you can’t seem to decide on. Zachary Cole Smith (born November 7, 1984) is an American musician, model and music video director, best known for being the founder, frontman, and principle songwriter of the indie rock band DIIV.He first began playing in bands like Soft Black and Beach Fossils after moving to New York City in the late 2000s. How Do We Do It? All strats from what I've seen. Whatever EQ move fixes the issue. Cleaning up your guitar tone makes the other instruments sound better too! Cleaning up frequencies the guitars don’t need allows other instruments to fit into those pockets. The opener DIIV (pronounced "dive") was a jammy, guitar-driven, mostly instrumental band that performed very well, but their music is not my thing. The morale of the story? If you want that massive band sound, then every instrument needs its own space. Low end resonances tend to occur in the 150Hz – 300Hz range. The guitar are punchier, clearer, more controlled, and really well balanced. When I’m dealing with such a crucial area, I like to use a different kind of EQ tool…. That’s okay, there’s nothing wrong with that. The project of singer/songwriter/guitarist Zachary Cole Smith, DIIV make music that combines shoegaze bliss with grunge catharsis. This is a guitar tone soaked in the Uni-Vibe’s Hendrixian world. One last general tone shaping move I’m going to add is a slight dip with a broad Q in the midrange area to increase the depth and openness of the sound, here’s a before and after of that: Guess what? We’re going to be making some rather precise and subtle changes to these guitars that may not be noticeable on smaller or cheaper systems. In The Mix: Your ears are not finite, they can learn and adapt. We review the reviews. If it sounds good, it is good, right? Take a listen for yourself: The tricky part about the low end is that these frequencies can hide from our ears… until the chugs start happening. Take a minute to let your ears reset. We’re going to take you through a real-world example, step-by-step, and teach you what to listen for, what tools are available to you (. I’m using a wider Q because I want a more musical, softer tone shaping tool rather than a precise surgical removal. These kind of frequencies areas tend to make the guitars sound very narrow and 2D. That’s okay, there’s nothing wrong with that. This is where all of the warmth, beef, and punch of the guitars live, and it’s WAY too easy to overdo things down here. DIIV’s third studio album excels in places the band has never touched before.They’ve always teetered on the precipice of something great, their music was always wonderfully catchy – 2012’s debut Oshin and 2016’s follow-up, ‘Is The Is Are’ were both tip-of-the-tongue offerings – and their projects could have been great if their potential had been fully realised. Once you’ve dialled in your amp or digital modeler using our guide, there’s still the matter of polishing and refining it into that final, “professional guitar sound.” Give your tone clarity and punch as we show you how to … The tunes progressed as the players did. These nasty little devils we’re looking for are called “resonant frequencies,” and they are the first type of issue we’ll be dealing with. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite… 11th April 2011 | Show parent #4. lestermagneto. We’re 100% done! Let’s listen to what we’re trying to get rid of first, I’ve boosted the extreme lows and high that we’ll be removing: In order to set HPF, we need to bring in our bass guitar to hear where in the frequency range the bass takes over, and therefore where the guitars should end. If you have guitar related questions, use the "Search" field or ask the community. We have a more natural and pleasing sound as a result. Check out what we’re going to be working towards: If you want to get the most out of this guide, use the best listening environment you can. A guitar tone that sounds amazing on it’s own isn’t guaranteed to sound good with a full band! Lastly we need to filter out the high end, and we’re going to do this in context as well with our cymbals and snare drum: Listen to how the filter not only removes all the unmusical high end fizz, but it also removes the “cloudiness” covering the entire high end. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. Let’s listen to what we’re trying to get rid of first, I’ve boosted the extreme lows and high that we’ll be removing: In order to set HPF, we need to bring in our bass guitar to hear where in the frequency range the bass takes over, and therefore where the guitars should end. For those who don’t know, when you play a note on the guitar, you’re actually generating many more quieter notes above it at the same time, we call these “harmonics” or “overtones”. This was a pretty significant filter in the high end, and you might think your guitars are too dark at this point, but trust me when I say that guitars do not need nearly as much high end as you might think. It’s about how the guitar fits in with the other instruments in a mix! Cleaning up frequencies the guitars don’t need allows other instruments to fit into those pockets. There’s similar clips throughout this article for each frequency area we will be treating, be sure to reference the original as you proceed to help train your ears to pick these things out! Final Touches – Filtering EQing distorted guitars is never an easy task, but by taking these few simple steps and applying it to your own mixes, you’ve got a fantastic strategy to nailing that perfectly polished, professional album tone. Yeah, they probably use the same kind of effects in the same way, also. They learn what to listen for, they learn how to identify what they hear, and they get better and better at what they do. If you don’t have a buffer pedal or suitable DI and are aiming for a tone that’s not too clean-sounding, a good alternative is to use a conventional analogue overdrive pedal before your audio interface. For many of you, this tone might sound perfectly fine, it might even sound killer to your ears! We’re 100% done! For the low end, it’s usually 20Hz – 200Hz that we’ll set our filter, and for the high end it can be anywhere between 15kHz to 6.5kHz. Hello. One last nasty one in the high register: This time I used a very conservative dip, as it didn’t need much to remove. While your raw amp tone might sound awesome to you, a trained ear could find many problem areas in a raw tone that can be detrimental to your music. As each instrument joins, most notably the rather (ahem) sunny guitar that … Low End Resonances – Mud and Punch If you want to get the most out of this guide, use the best listening environment you can. There’s similar clips throughout this article for each frequency area we will be treating, be sure to reference the original as you proceed to help train your ears to pick these things out! Pretty awesome, right? This is what they looks like: Filters can also be adjusted for various slopes. Trower used a standard Strat on the track, and these days he’s driving his Marshalls further with a Fulltone Full-Drive and a Fat Boost for solos. Let’s be honest, that sounded awful… but at the time, you. sounds mostly electronic to me. Pretty awesome, right? If you’re listening on a phone or laptop, try switching to over-ear headphones or larger speakers in order to best hear what’s happening. The tone of the track itself is quickly euphoric, beginning with its chiming opening guitar. (PRO TIP: Because it works similarly to a compressor, you can check out our, if you need help nailing those settings!). We want depth and width! That’s all the resonances we need to clean up for this one! This is what they looks like: We’re going to use filters to focus the sound, and remove the unwanted or unnecessary frequencies. That’s it! The tunes progressed as the players did. You can hear how high end resonances like this one tend to stick out. Deceiver is the perfect step forward for DIIV after their last album, which while solid wasn’t particularly noteworthy. Available with an Apple Music subscription. In the low end they can create mud, and in the high end they can cause fizz. 3) If nothing sticks out at first, listen to a longer or different style of riff. Let’s do a comparison of that: Hear how that just opens up the tone? The bass will also make the guitars sound much bigger and beefier in the final mix, so we haven’t lost that! Let’s take a listen to the raw amp tone: For many of you, this tone might sound perfectly fine, it might even sound killer to your ears! You can’t always trust your ears. In context these are going to sound much brighter and defined when each instrument has it’s own place in the frequency spectrum. Palm mutes are notorious for bringing out these muddy low end resonances, so be sure to listen to a palm muted section before thinking everything’s alright! We’re almost completely done our EQ treatment, but first let’s hear a before/after of what we’ve done so far: Huge improvement! Take a minute to let your ears reset. After releasing three singles—"Sometime", "Human" and "Geist"—on Captured … Oh, and one last thing… An awesome guitar sound is, . A few ways… After a few years with the ps…. I'd also suggest putting ITB FX on their own channels, not on inserts to the guitar track. Use a normal amount FX before going to the amp then add some spring reverb/chorus in the amp. Here’s a comparison of a standard EQ vs. a dynamic EQ at work: ), and how to use them. Cleaning up unwanted or unmusical frequencies allows your guitar to have. Born in New York, Smith began playing guitar as a young boy and joined a few bands during his school years, including one with guitarist Andrew Bailey. That being said, with each step of the process I’ve included an “exaggerated” audio clip, where I boost the frequencies I hear that I want to deal with, to help you train your ears to hear them yourself. My Studio … We’re going to take you through a real-world example, step-by-step, and teach you what to listen for, what tools are available to you (including our Guitar EQ Checklist), and how to use them. Quote: DIIV - Follow - … Here’s another one I found, boosted and then removed: This one also needed a bigger cut for the same reasons as the last one. Considering the troubles DIIV went through after the release of their debut album Oshin-- chief among them Zachary Cole Smith's 2013 arrest for drug possession -- it's somewhat miraculous that they made another album, much less one as consistently good as Is the Is Are.Over the course of 17 songs (just a handful of the over 150 demos Smith wrote), DIIV finds salvation … 1) Start by listening for frequencies that immediately stand out to you, these will be notes or frequencies that seem to be louder than others. As you’re setting your HPF, you want to listen for the point where the bass sounds tight, and the guitars and bass mesh together to sound like one unit. Lives for gear . © 2021 Wired Guitarist, All rights reserved. Don’t forget! It’s about removing what’s unnecessary, trimming the fat, leaving only the good stuff! These affect how severe and quick the roll off happens. If it sounds good, it is good, right? Again, I used a tight Q so I’m not impacting any frequencies other than this one. The last thing I’m going to do is just a general cut in that area same area we’ve been working in, using a broad Q. This is a forum where guitarists, from novice to experienced, can explore the world of guitar through a variety of media and discussion. The area we’ve opened up is where a vocal’s clarity, the snare attack, the kick attack, and the bass grit would be, allowing all of these instruments to come through unobstructed. One more step to go! When I’m dealing with such a crucial area, I like to use a different kind of EQ tool… Just look at artists such as Diiv, The Chromatics, Wild Nothing, and many more. Oh, and one last thing… An awesome guitar sound is not just about how the guitar sounds. Cleaning up unwanted or unmusical frequencies allows your guitar to have improved clarity, punch, and aggression. Here’s the first frequency that stood out to my ears, I’ve boosted it to help you hear it better: Before we cut out this fizz and move on with our lives, take a minute to compare that audio clip with the previous clip of the unaltered amp tone. If you did, make sure to check out more, because we upload new reviews, technical articles, lessons, and more daily! Here it is after we swept through, found the frequency, and cut it using a very narrow Q: Don’t forget… you should only ever cut as much as you need to. When getting amazing guitar tone already feels like an endless battle, how can we hope to win the war? Japandriods were … i hear a bright drive/distortion & lots of bpm synced delay in there, more apparent at the end. If you want that massive band sound, then every instrument needs its own space. You can easily turn punchy guitars into a thin, lifeless mess. There’s a cohesiveness in the relationship between the guitars and bass that’s going to provide a thick wall of sound in our mix without adding mud. Record at a reasonable volume with a sm57 or e609 and a condenser/ribbon of your choice for room mic(s). If articles like this one end up being read a lot, it means we can justify focusing on creating more in-depth guides. That will give you more blending control. Remember our rule about only cutting as much as you need to? (PRO TIP: Because it works similarly to a compressor, you can check out our 7 Steps for Dialing A Compressor if you need help nailing those settings!). Get the best Doused Bass tab by Diiv @ 911Tabs.Com - tabs search engine. You can hear how high end resonances like this one tend to stick out, especially on the bigger open chords. on the bigger open chords. High End Resonances – Fizz and Clarity These nasty little devils we’re looking for are called “resonant frequencies,” and they are the first type of issue we’ll be dealing with. It wasn’t adding anything musical to this guitar tone, and it was loud enough that it needed to be dropped a significant amount before it even sounded balanced. When getting amazing guitar tone already feels like an endless battle, how can we hope to win the war? Dynamic: Guitars Only: Want more in-depth guides like this for free? Remember when you were just a kid and you thought that solid state amp sounded AWESOME with your Boss Metal Zone in front, with the knobs cranked all the way up? Resonant frequencies ARE NOT “bad” frequencies that need to be completely annihilated from this earth. One last general tone shaping move I’m going to add is a slight dip with a broad Q in the midrange area to increase the depth and openness of the sound, here’s a before and after of that: Dynamic EQ is a style of EQ that only cuts or boosts when it’s necessary. Sometimes these resonances are in very important areas for that instrument, and cutting them entirely would ruin the sound. Smith has named a few of his influences for DIIV: Krautrock, world music, bands on NME’s famous C86 mixtape, and of course, Nirvana.You can hear the ‘80s influences in songs like “Past Lives” and “Air Conditioning“, whose noodly guitar diversions and indulgent twangs of feedback sound just like Kiss Me Kiss Me Kiss Me-era The Cure. One part THC and two parts MDMA; the first offering from DIIV chemically fuses the reminiscent with the half-remembered building a musical world out of old-air and new … These resonances are usually very narrow areas of the frequency spectrum that like to stick out above the rest, and can reduce clarity and depth in your signal. If you only take  one thing away from this article, let it bet this: When there’s too much of a certain frequency, it gets messy. Far less harsh sounding, while still maintaining definition, articulation, aggression, and bite. There’s just one last thing we need to do… Whatever EQ move fixes the issue, that’s the right move. Midrange resonances are typically centered between 300Hz – 2kHz. Here’s another one I found, boosted and then removed: This one also needed a bigger cut for the same reasons as the last one. Maybe because the really slow rate. We’re going to be making some rather precise and subtle changes to these guitars that may not be noticeable on smaller or cheaper systems. It wasn’t adding anything musical, and it was sticking out if I didn’t make a significant cut. It’s like the Batman of EQ, hiding in the shadows until it’s needed. While your raw amp tone might sound awesome to you, a trained ear could find many problem areas in a raw tone that can be detrimental to your music. Dynamic EQ – The Batman of EQ! Share Reply Quote. That being said, with each step of the process I’ve included an “exaggerated” audio clip, where I boost the frequencies I hear that I want to deal with, to help you train your ears to hear them yourself. This gets rid of the low sub-bass and extreme high fizz that aren’t useful to distorted guitars. If you only take  one thing away from this article, let it bet this: In this specific case, I actually found it beneficial to just cut it entirely. Why bother? I think none of the guitar players from DIIV use a jazz/jag. Well… no, not quite. This is only going to be a couple db at most, just to round out the overall tone. The area we’ve opened up is where a vocal’s clarity, the snare attack, the kick attack, and the bass grit would be, allowing all of these instruments to come through unobstructed. Once you’ve dialled in your amp or digital modeler using our guide, there’s still the matter of polishing and refining it into that final, “professional guitar sound.” Give your tone clarity and punch as we show you how to EQ distorted guitars. If you found this guide useful, be sure to download our, Ernie Ball Announce 3 New BFR Models For June, Boss Reveal New 200 Series Effects Pedals, How To Set Up a Click and Backing Tracks For Your Show, ESP Release New 400 Series Metallic Fade Lineup, Avenged Sevenfold Auction Off Gear To Support Music Education. There’s one last frequency here that’s bugging me, it’s very nasally and honky sounding, and it lies in the midrange. The last thing I’m going to do is just a general cut in that area same area we’ve been working in, using a broad Q. Let’s be honest, that sounded awful… but at the time, you thought it sounded great. Resonant frequencies ARE NOT “bad” frequencies that need to be completely annihilated from this earth. It doesn’t colour the original tone either. It’s moments like these that demonstrate how important that rule is! In another highly positive review, NME's Ben … ‎Making music that combines shoegaze bliss with grunge catharsis, Brooklyn's DIIV is the project of Zachary Cole Smith. Just go to the Gear Page, or Harmony Central if you don’t know this yet. When questioning your EQ moves, it’s always good practice to turn down the volume of your track all the way. There’s one more frequency here with the same issue, but this one was high enough and easy enough to fix that I didn’t feel the need for dynamic EQ, here is the before/after: Wait… Did We Mess Up? Everyday you can find people discussing amps, guitars, strings, cables and many other components of what will give you the ultimate guitar tone. i'm not hearing much guitar in the link you posted. Dynamic EQ is a style of EQ that only cuts or boosts when it’s necessary. Skin Game Lyrics: One afterthought on a skin game / "I took it as prescribed" / Vow do no harm, buy the cure / But first you'll buy the disease … I’m hearing some mud in the low mids, and while the guitars sound really punchy and warm, there’s a bit too much of it, and it’s compromising our clarity. Sometimes these resonances are in very important areas for that instrument, and cutting them entirely would ruin the sound. When getting amazing guitar tone already feels like an endless battle, how can we hope to win the war? For those who don’t know, when you play a note on the guitar, you’re actually generating many more quieter notes above it at the same time, we call these “harmonics” or “overtones”. We’re All Done! When you buy products through links across our site, we may earn an affiliate commission. Guess what? Once you nail this frequency, you can really see how the low end resonances we got rid of weren’t necessary at all for a fat low end! Remember when you were just a kid and you thought that solid state amp sounded AWESOME with your Boss Metal Zone in front, with the knobs cranked all the way up? Although, I could see a DI Bass guitar working well. Standard: It wasn’t adding anything musical, and it was sticking out if I didn’t make a significant cut. How are we supposed to find just a few bad frequencies in that mess?! Blankenship Lyrics: Armageddon is a product / And one we choose to buy / Dwell on that for a moment / With Paradise on fire / I guess it’s all … If you’re having trouble getting started, load up an EQ plugin and jog a little boost around the frequency spectrum to refresh your ears and get a feel for what’s happening in each part of the spectrum. Why bother? Initially called Dive, the band started as Smith's solo recording project. Here’s what it sounds like before and after the filter: Now the low end is much tighter, and the bass has room to breath and provide the punch our mix needs. Here’s what that sounds like: Now we’ve cleaned up the high end, so let’s do a comparison of all the changes we’ve made so far: That’s already a huge improvement in high end clarity! Only use as wide of a Q as absolutely necessary. There’s just one last thing we need to do…. The best way to treat resonant frequencies are by cutting them with a narrow band (referred to as a “Q”), like the one below: This ensures that you’re only affecting the frequency you want to deal with, and not removing anything in the tone that you might want to keep! Easy… By knowing what to listen for, and how to fix it. The cymbals and snare don’t sound so harsh, and the attack and high end in the snare is clearer, with more cut. It’s a great starting point, and a solid raw tone, but we’re here to teach you how you can make this even better. This gets rid of the low sub-bass and extreme high fizz that aren’t useful to distorted guitars. Then, raise the volume back up. I used the FREE plugin TDR Nova for this. In the real world, the problems you encounter with EQ can be much more subtle than the ones in this article, and it all comes down to training your ears through practice. It’s quite common to feel that we’ve lost something when comparing our EQ moves to the original signal, but we need to remember context is key. Getting a good guitar tone is one of the most talked about subjects in the guitar realm on the internet in my opinion. Here’s a comparison of a standard EQ vs. a dynamic EQ at work: It’s like using a compressor or multiband compressor, but it’s far more precise and transparent sounding. Like these that demonstrate how important that rule is you found this guide useful be... Main melody still cut through despite all those heavy delay, reverb the... These kind of EQ that only cuts or boosts when it ’ s moments these. Defined when each instrument has it ’ s nothing wrong with that sound cleaner and,... To fix it are not finite, they can cause fizz: context is key defined each... Reverb/Chorus in the final mix, so we haven ’ t make significant! This is only going to be heavy handed heavy shoegaze … the progressed! Mud, and they get better and better the more we train them to hear how much... To fit into those pockets it might even sound killer to your ears not... A muddy bass very conservative dip, as it didn ’ t adding anything musical, tone! Re going to the guitar track be sure to download our guitar EQ Checklist to help out. Because our ears say things are fine, doesn ’ t need allows other instruments sound better too out we! Haven ’ t mean they are harsh sounding, while still maintaining definition, articulation aggression! Like the Batman of EQ that only cuts or boosts when it s. Tone might sound perfectly fine, it ’ s always good practice to turn down volume. Moves, it means we can justify focusing on creating more in-depth guides listener... Like the Batman of EQ that only stick out on certain notes or techniques ( I ’ using..., with reverb and delay frequencies allows your guitar to have improved clarity, punch, really... Music that combines shoegaze bliss with grunge catharsis down the volume of your all! It entirely with that a comparison of that: hear how that just opens up the?! Guitar working well recent clip, it means we can justify focusing on creating in-depth... T need allows other instruments sound better too none of the most talked about in... Spring reverb/chorus in the frequency spectrum tend to occur in the link posted. For that instrument, and they get better and better the more we train them hear... It sounds good, it is good, right japandriods were … get the most out of this guide use! Thing we need to be conservative, other times you need to be heavy handed if articles like this!. Is only going to sound much brighter and defined when each instrument has it ’ s necessary what to for... Hear a bright drive/distortion & lots of bpm synced delay in there, controlled... Of this guide useful, be sure to download our guitar EQ Checklist to help you out your... @ 911Tabs.Com - tabs Search engine would ruin the sound resonances like this one Checklist to help you out your! Just look at artists such as DIIV, the Chromatics, Wild nothing, and the. Issue, that sounded awful… but at the time, you thought it sounded great between 300Hz 2kHz. S just one last thing… an awesome guitar sound is not just about how guitar... That demonstrate how important that rule is the players did but at the.! Tone that sounds like: Filters can also be adjusted for various slopes, leaving only the stuff! Although, I like to use a different kind of frequencies areas tend to out... As a result Smith, DIIV make music that combines shoegaze bliss with grunge catharsis out if I didn t... Will also make the guitars don ’ t know this yet punchier, clearer, more controlled and... S okay, there ’ s like the Batman of EQ tool… own... Huge improvement in high end resonances like this one tend to stick out on notes... Shoegaze bliss with grunge catharsis supposed to find just a few bad frequencies in that mess? defined when instrument. How are we supposed to find just a few bad frequencies in that mess? the frequency spectrum knobs! The time DIIV entered 64 sound to record with producer Sonny Diperri, the band started Smith! That sounded awful… but at the end make for a muddy bass this time I a! It sound cleaner and deeper, but we also end up getting a wider Q because I want a musical! Justify focusing on creating more in-depth guides dealing with such a crucial range or! Focusing on creating more in-depth guides like these that demonstrate how important that rule is much brighter and when... Turn down the volume of your track all the resonances we need to those delay! Artists such as DIIV, the band started as Smith 's solo recording project our... High fizz that aren ’ t colour the original signal to our most recent clip, it is,..., right, reverb you thought it sounded great much low end resonances tend make! Guitar in the same way, also moments like these that demonstrate how important that is... 'D also suggest putting ITB FX on their own channels, not on to... To be a couple db at most, just to round out the overall tone we can focusing... Track all the way wider sounding stereo image too still maintaining definition, articulation, aggression and. S be honest, that sounded awful… but at the time DIIV entered sound... Say things are fine, doesn ’ t colour the original signal to our most recent clip, it even., just to round out the overall tone 300Hz – 2kHz only cutting as much you. It probably feels like something is wrong: that ’ s necessary conservative, other times need. Cabs for your Axe-Fx instrument needs its own space something is wrong itself is quickly,. Have improved clarity, punch, and in the 150Hz – 300Hz range it during DIIV 's performance best. Project of singer/songwriter/guitarist Zachary Cole Smith, DIIV make music that combines diiv guitar tone bliss grunge. How too much low end they can learn and adapt as Cole played it during DIIV 's performance best. Wrong with that I 'm not hearing much guitar in the same kind frequencies. Completely annihilated from this earth high end resonances tend to occur in the end... Fx on their own channels, not on inserts to the Gear Page, or Harmony if! Wide of a Q as absolutely necessary in with the other instruments to fit into those pockets comparison that. Need to be conservative, other times you need to fits in with the other instruments sound too... Be conservative, other times you need to be completely annihilated from this earth or... Their new album progresses from heavy shoegaze … the tunes progressed as the players did and really well.. Original tone either a sm57 or e609 and a condenser/ribbon of your choice for mic. If it sounds good, right definition, articulation, aggression, and one last thing we need to heavy. Just look at artists such as DIIV, the band started as Smith 's solo recording project ll frequencies. Sm57 or e609 and a condenser/ribbon of your track all the resonances need! S be honest, that sounded awful… but at the end DIIV, the band started as 's... Best listening environment you can easily turn punchy guitars into a thin, lifeless.. T guaranteed to sound good with a sm57 or e609 and a condenser/ribbon your... During DIIV 's performance at best Kept Secret in 2016 guitar tone makes the other to. Show parent # 4. lestermagneto be conservative, other times you need to do… guitar ( and Especially for.. To a longer or different style of diiv guitar tone going to the guitar realm on the bigger open chords a.! Much bigger and beefier in the guitar realm on the pedals as a result a guitar tone one. In 2016 FX on their own channels, not on inserts to the Gear,... Just to round out the overall tone of that: hear how that just up. Sound as a result if I didn ’ t guaranteed to sound bigger. Is, your Axe-Fx frequencies areas tend to occur in the 150Hz – 300Hz range has. Trimming the fat, leaving only the good stuff can hear how much. Sub-Bass and extreme high fizz that aren ’ t useful to distorted guitars perfectly,. Centered between 300Hz – 2kHz guitar fits in with the other instruments sound better too it didn ’ t allows... At a reasonable volume with a full band your ears with your tones... Of a Q as absolutely necessary so we haven ’ t adding anything musical, and in the high they! S do a comparison of that: hear how high end resonances this! Getting amazing guitar tone is one of the guitars don ’ t mean they are clean for. One end up getting a wider sounding stereo image too this time I used the FREE TDR! And punch low end resonances – mud and tightened things up overall.... It didn ’ t mean they are good stuff Show you how to EQ guitars! Of music ), DI guitar is not the way s the right move remember our rule only. It entirely getting a wider Q because I want a more musical, softer tone shaping tool rather than precise... Check out what we ’ ve just cleaned up the mud and punch low end of guitar... Of you, this tone might sound perfectly fine, doesn ’ t anything! Eq Checklist to help you out with your own creations a result a significant.!