| Aeolian Pentatonic Scale | Altered bb7 Mode As I mentioned in the previous article, you should always practice all of your scales as you would practice your major scales. Scale Modes | Hindu Scale | Hungarian Minor If you take two augmented triads a whole step apart, then you have the complete whole tone scale. Whole Note Scale | Whole-Tone Scale, Mentions légales | Charte de confidentialité. F Whole-tone scale . So, the whole tone scale can be played over a dominant 7th or 9th chord with a sharp five and sharp eleven. Need Help Finding a Teacher? The third exercise is particularly interesting because it creates a hemiola. There is one more type of scale that lives outside the major and minor (and other modes) which is called the pentatonic scale. The scale formula is W-W-W-W-W where “W” stands for whole tone. The first two bars use one of the whole tone exercises from above. | Super Lydian | Suspended Pentatonic G Whole-tone scale . scales with a unique collection notes) and then the various modes of those two scales: G Wholetone Scale = G A B C# D# F; C Wholetone Scale = C D E F# G# A# Maybe it’ll sound different to you. The whole tone scale is comprised completely of whole steps, like the chromatic scale is comprised completely of half steps. There are thus only 12/6 or 2 different whole tone scales. The first example is a basic scalar exercise you can use with any scale. I would suggest practicing a bunch of whole tone exercises over blues to get the sound into your ear. https://en.wikipedia.org/wiki/List_of_pieces_which_use_the_whole_tone_scale E Whole-tone scale . | Altered Dominant Scale | Altered Dorian Before reading on, I advise that you look back at how the scale is constructed and try to figure out for yourself what chord the whole tone scale would sound good over. | Mixo-Blues Scale | Mixolydian | Mixolydian b2 | Mixolydian b6 | Mixolydian b9 | Mixolydian b13 | Mixolydian b2 b6 | Mixolydian b9 b13 | Mixolydian #4 | Mixolydian #11 | Mohammedan Scale | Music Modes | Music Scales | Musical Modes   N   Natural Minor Scale | Neapolitan Major Scale | Neapolitan Minor Piano Scales | Pomeroy Scale | Pure Minor Scale   R   Ravel Scale | Relative Minor Scale | Ritusen Scale | Romanian Minor Scale   S   Scales (other) | Scales and Modes | Scottish Pentatonic | Six Tone Symmetrical | Spanish Gypsy Scale | Spanish Phrygian Scale | Super Locrian | Super Locrian bb7 | Super Locrian Natural 5 The whole tone scale’s repeating interval is the whole step; it’s comprised solely of whole steps. In music, a whole tone scale is a scale in which each note is separated from the next one by an interval of a whole tone.There is always one note (a semitone) in between each neighbouring pair of notes of the whole-tone scale. Scales   U   Ukrainian You should practice the whole tone scale full range, in thirds, in triads, etc. | Augmented Scale Form 2 | Augmented Scale Mode In a whole-tone scale, all music notes are separated by 1 whole step (tone ), and all note has the same importance the same function, so there is no tonic. Whole-Tone Scale | Dominant Diminished Scale | Dominant Whole-Tone Scale | Dorian | Dorian b2 | Dorian b5 | Dorian b9 | Dorian b2 b5 | Dorian b5 b9 | Dorian #4 | Dorian #11 | Dorian Pentatonic Scale | Double Harmonic Minor Scale | Double Harmonic Scale   F   Flamenco Scale | Freygish Scale   G   Guitar Scales | Gypsy Minor Scale   H   Half Diminished Scale | Half step - Whole step Scale | Half-Whole Diminished Scale | Half-Whole Scale Today, we’ll be dissecting the whole tone scale. It’s the completely opposite of a chromatic scale– which is made up entirely of half step intervals (semitones). The first known time the whole tone scale was used in a composition was in 1662 by Johann Rudolf Ahle. Numbers show the number of whole steps between scale tones. Impressionist composers such as Claude Debussy were quite fond of the scale and used it often in their compositions.The most famous use of the whole tone scale in popular music is in the intro of Stevie Wonder’s You Are The Sunshine Of My Life. Below is an example of a whole-tone scale: The whole-tone scale is one of the modes of limited transposition, because there is only transposition of this mode.. It is important to remember that there are only two whole tone scales; C (C- D - E - F# - G# - A#) and D flat (Db - Eb - F - G - A - B). Introduced to the world in 2014 as the Healing Frequency Music Project by renowned musician Michael S. Tyrrell, Wholetones has grown into a full line of award winning solutions for many of the most common problems found in today’s society. So, what this means in practical terms is that the G whole tone scale will work over chords that use those notes as extensions: such as G9, G7#5, G7b5, etc. the Augmemted Scale) is, as the name implies, built from notes with intervals of a whole note. | Altered Scale | Arabic Scale | Ascending Melodic Minor Scale | Augmented Scale Scale   I   Inverted The whole tone scale is an important part of music. The best way to figure out how a scale relates to a chord is to break down the scale and analyze each tone. Dorian Scale | Ukrainian Minor Scale | Ultra Occasionally, you’ll see an augmented triad (1, 3, #5). Whole-tone scale definition is - a musical scale progressing by whole steps. Take a quick listen to Stevie Wonder’s “You Are the Sunshine of My Life”. E-flat Whole-tone scale . If you happen to be a fan of classical music from the Impressionist Period on, then you’ve definitely heard the whole tone scale, at least passively. Posted by Komponist. F-sharp Whole-tone scale . A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. He specializes in jazz, but regularly performs in all genres including classical, pop, funk, R&B, reggae, and gospel. The interval formula of a whole tone scale is: W – W – W – W – W – W(whole steps). This last exercise uses notes outside of the whole tone scale. The D, E, F#, Ab, and Bb whole tone scales are the same as the C whole tone scale. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. Last blog post, I introduced the concept of “chord/scale relationships”. The only other scale like this is the chromatic scale. (Variation 3) | Blues Scale (Variation 4) | Blues Scales | Byzantine Scale   C   Chromatic Scale   D   Debussy Scale | Descending Melodic Minor Scale | Diminished Dominant Because of this, if there is no underlying chord as a point of reference, it is impossible to tell what the root of the scale is. Enjoy practicing. Next article will be about the altered scale (diminished whole tone scale). Bach, and probably even before then, but it started to become more widely used around the Impressionist Period. Since then it has been used often in classical music by composers such as Bach, Mozart, Berlioz, and Schubert. Also, it’s not too difficult to learn. The best way to learn and retain information is to learn the process of learning that information. This is a so-called symmetrical scale, meaning that the interval is the same throughout the scale. Maybe classical music isn’t really your thing. Maybe you’re more a fan of pop music. The second and third exercises are the whole tone scale in “diatonic” triads (I put “diatonic” in quotations because the whole tone scale isn’t a diatonic scale, but the concept for the purpose of practicing is the same). 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